Banca de DEFESA: PATRICIA SIMONE DAL COL

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : PATRICIA SIMONE DAL COL
DATA : 29/11/2018
HORA: 13:00
LOCAL: IE sala 3
TÍTULO:

Relationship between cenesthesia and self-perception starting from the principle of phenomenology: narratives of human corporeity

PALAVRAS-CHAVES:

Cenesthesia. Corporeity. Phenomenology. Perception. Self. Narrative.

PÁGINAS: 123
GRANDE ÁREA: Ciências Humanas
ÁREA: Psicologia
SUBÁREA: Psicologia do Desenvolvimento Humano
ESPECIALIDADE: Processos Perceptuais e Cognitivos; Desenvolvimento
RESUMO:

This study has focused on understanding the relation between cenesthesia and perception of oneself starting from the principle of phenomenology, through the integrative experience of Biodanza carried out developed with scholars at the Public University of Rio de Janeiro. Cenesthesia is a human corporeity phenomenon, nowadays there are few limited scientific studies throughout the hermeneutics of the body, a concept undeniably inherent to medicine. Thus, this phenomenon is characterized by an overall internal feeling, in other words, an organic inner-body sensation reflecting an endogenous state of well- being or distress. To a greater extend, this concept represents a link for a body-soul relation, an evidence of existence, furthermore, perception of existence itself. At the other end of this relationship  we find sense of self  perception , destination  of this journey through human corporeity  where oneself  is understood as a personal construct  of interaction with others ,with culture and as product of narrative. In this regard, this research provided legitimate relevance to this phenomenon, revealing a semantic unrest between cenesthesia and two other homophonous words, kinesthesia and synesthesia, endorsing a more in-depth study, essential for its understanding within the philosophical and psychological context. Contributed to the research, five scholars over 18 years of age attending different programs engaged in Biodanza workshops. Among the participants, three college students declared certain physical disabilities: one with cochlear implant due to hearing loss and two others with visual impairment (one with low vision). Supported by methodological triangulation, we worked with the participant`s personal statement, direct and external observation for data collection and a narrative analysis for a better understanding. Based on a corporeity experience, a phenomenological approach proved to be the appropriate methodology to study this phenomenon. Data analysis was carried out in the following categories: 1) Cenesthesia within perception of its very existence; 2) Own body: pathway to corporeity and cenesthesia; 3) Narratives focusing on cenesthesia and self-perception. The first category attempted to identify, among the narratives, feelings, and emotions attributed to cenesthesia, as well as pointing out this phenomenon as an element of corporeity. The second category compiled narratives and knowledge concerning dissociation body-man-world and its relationship with body self-perception. The third category brought together narratives that identified introspective experience as a gateway to the cenesthesia phenomenon and to the sense of oneself, that might be stimulated by external and internal factors.  Analysis of data by phenomenological means found that relationship between cenesthesia and self-perception emerged with narratives expressed throughout the dynamics of Biodanza enabling us to conclude that cenesthesia is a subjective corporeal experience conceived as an internal process stimulating person perception, of the world and of oneself.

MEMBROS DA BANCA:
Presidente - 1720911 - VALERIA MARQUES DE OLIVEIRA
Externo ao Programa - 2572431 - ALLAN ROCHA DAMASCENO
Externo à Instituição - EDNA FERREIRA COELHO GALVÃO - UEPA
Externo à Instituição - PRISCILA PIRES ALVES - UFF