Ismael, Noel e o paradigma da mediação: apropriação e exploração na indústria musical no pós-abolição do Rio de Janeiro.
Buying and Selling Sambas; Noelesca Historiography; Mediation Paradigm.
The present work has the primordial goal to discuss the projection of samba in post abolition period and the action of the acting subjects. Will be problematized the cultural mediator concept and bring a new concept in this harvest named by Lurian Lima like a mediation paradigm. Another determinant point of the research it's about noelesca historiography and the action of mediators about the opinion formulation and samba scholars who sought to improve performance of Noel Rosa in this discussion. As a method, there is the work of listening, comparative analysis and memory, searching clarify speeches and the journeys of Ismael Silva and Noel Rosa. Therefore, it must be necessary use the archives that gave voice for those subjects that Neolesca historiography undervalues, for example the Museu de Imagem e do Som (MIS), newspaper subjects and the independent agencies. Another determinant source is the own production of Neolesca historiography, for example the program of the radio host, musician and journalist Almirante, "No tempo de Noel Rosa". All these sources, associated to the method of analysis will corroborate with the aim of the work that is to show how is the process of buy and sell of samba promoted by these white "cultural mediators", helped to hide the black protagonism in the process of professionalization of samba.