Zózimo Bulbul e Gloria Rolando em ação: a luta antirracista e decolonial do Cinema negro de Brasil e Cuba.
Keywords: Black cinema. Structural racism. Anti-racist struggle. Decolonial pedagogy.
This research seeks to analyze the manifestations of structural racism in the cinematographic art of Brazil and Cuba. To this end, and in counterpoint to the traversals of structural racism, the study will focus on the activism and strategies of filmmakers Zózimo Bulbul and Gloria Rolando, as well as the paths that black filmmakers from these countries have taken to transgress the order and impact the training of black filmmakers for the anti-racist struggle, countering through resistance to the predominance of the values of white bourgeois and colonial hegemony in these two politically antagonistic realities. One of the aspects treated in this research was to present the Black Cinema thought by Black filmmakers in a decolonial perspective, in which their bodies acted politically and artistically re-signified, as subjects of their own narratives, aiming to supplant the stereotypes and invisibility consolidated by the hegemonic culture.
Keywords: Black cinema. Structural racism. Anti-racist struggle. Decolonial pedagogy.